By Neil Armstrong
The 119-year-old Toronto Symphony Orchestra (TSO) will as soon as once more spotlight music from the Caribbean — this time, Calypso — in a historic sequence of performances titled ‘Scorching, Scorching, Scorching!’ on the Rose Theatre in Brampton on February 15 and Roy Thomson Corridor in Toronto on February 16.

In February 2022, Daniel Bartholomew-Poyser turned the primary Black titled conductor in Nationwide Arts Centre Orchestra’s historical past. His resolution to marry Reggae music to orchestral sound paved the way in which for ‘Reggae Roots,’ a video-on-demand studying sequence for college students throughout the nation.
Now, Bartholomew-Poyser, who’s the conductor on the TSO and whose father is from Jamaica and mom is Trinidadian, is doing the identical with Calypso for youth and their households.
“Scorching, Scorching, Scorching! is a celebration of Calypso music. This style holds a particular place in my coronary heart. Although I grew up in Calgary, my mom was from Trinidad and Tobago, so I used to be immersed in Calypso’s rhythms and its wealthy storytelling custom. This artwork kind is about a lot greater than leisure; it carries messages of resilience, humour, and pleasure. On this live performance, we reimagine Calypso by the sweeping sounds of the orchestra, mixing its infectious vitality with symphonic grandeur to create one thing actually extraordinary. Over 15,000 college students, households, and younger individuals will expertise this vibrant music, connecting with its highly effective tales and uplifting spirit,” says Bartholomew-Poyser.
The present will characteristic calypsonians Macomere Fifi (Eulith Tara Woods), King Cosmos, singer Kimya Hypolite, and Pan Fantasy Steelband.
A number of years in the past, Macomere Fifi, Canada’s seven-time Calypso Monarch winner, sang a calypso written by Hamilton “Internet” Alexander titled ‘My Calypso is Simply as Good for Roy Thomson Corridor and All These Different Large Halls’. That want has come to fruition, she says.
It’s additionally a dream come true for King Cosmos, and Wendy Jones, CEO and Band Chief of Pan Fantasy Steelband.
“This is without doubt one of the events the place individuals who have come earlier than me and hope and prayed and sing, those that determined that calypso is to be weaved into the material of the society — this is without doubt one of the finish outcomes that they had been hoping for, and for me to be chosen to be a kind of individuals to hold calypso additional into this society, it means a complete deal,” says Macomere Fifi.

Having gained the Calypso Monarch competitors seven occasions, she was questioning what else was there to perform.
“I wanted one other technique to unfold my wings, do one thing else with my calypso in order that it could possibly be seen,” she says noting that a technique of constructing it inclusive was to achieve out to colleges, universities and different cultural occasions.
The calypsonian is worked up that a lot of the viewers at ‘Scorching, Scorching, Scorching!’ will likely be youngsters from kindergarten to grade six who’re studying in regards to the symphony and orchestration and also will interact Calypso.
Macomere Fifi says the motion of Calypso from a Calypso tent, a rum and roti store or the Chinese language Cultural Centre into the houses of those youngsters would possibly imply the creation of a brand new style of Calypso by them sooner or later.

“I’ll be certain to not lose the Caribbean flavour,” she says, noting that the songs have all been chosen by the TSO.
King Cosmos, Canadian Calypso Monarch winner in 1995, describes the upcoming present as “big.”
Describing the upcoming exhibits as “history-making,” the calypsonian says it should do so much for Canadian Calypso.
Jones says for a number of years she thought of someday taking part in with the TSO and to additionally carry out at Roy Thomson Corridor someday.
When she obtained a name from Nicole Balm, senior director of schooling and neighborhood engagement at TSO, she screamed with pleasure.
Her enthusiasm piqued when Bartholomew-Poyser mentioned he wished to carry Calypso and Soca music to the forefront as a part of the schooling programming which incorporates the range of incapacity amongst college students.

“I believed that is proper up my alley. That is all the pieces I dreamed of doing,” says Jones noting that Pan Fantasy had by no means completed that, however it was a chance to make use of the abilities that they’ve.
Barbados-born veteran calypso singer, acoustic guitarist, and musical arranger Roger Gibbs is happy that the TSO has organized these exhibits and that Bartholomew-Poyser has a connection to Caribbean tradition and may interpret it.
“I believe that it’s an incredible expertise for Fifi, Cosmos, Kimya Hypolite, and Pan Fantasy. It’s a step in the best route, I wish to see extra of it. I wish to see a extra in-depth take a look at how you can discover the musical affinities between Africa and Europe in that form of symphony context,” he mentioned.
#TSOHotHotHot #TorontoSymphonyOrchestra #CalypsoMagic #CaribbeanMusic #PanFantasySteelband #MacomereFifi #KingCosmos #TorontoEvents #LiveMusic #BlackHistoryMonth #RoyThomsonHall #DanielBartholomewPoyser