Dancehall icon King Yellowman is again with a robust new observe that bridges the previous and current of Jamaican music. Teaming up with New York-based manufacturing duo One thing D’Lux, Yellowman is about to launch “BOM BOM” on Wednesday, June 18 — a high-energy anthem that blends basic dancehall cadence with daring, fashionable manufacturing.
Recorded at Kingston’s legendary Harry J Studio, “BOM BOM” is uncooked, charismatic, and vigorous. Constructed on the rhythmic spine of an Akai MPC and fronted by Yellowman’s unmistakable voice, the observe is each a nod to dancehall’s golden age and a vibrant leap into its evolving future.
“This report is about paying respect to dancehall’s roots whereas having enjoyable with its future,” shares One thing D’Lux. “Recording with Yellowman in Jamaica, in a studio with a lot historical past, was a surreal and grounding expertise.”
Recognized globally for hits like Zungguzung, No one Transfer, No one Get Damage, and Blueberry Hill, Yellowman’s contributions to Jamaican music are legendary. His partnership with One thing D’Lux on “BOM BOM” marks a contemporary chapter in his musical journey — one that continues to be rooted in authenticity whereas embracing fashionable sounds.
The accompanying music video, filmed throughout downtown Kingston, captures the observe’s vitality in full color. That includes nostalgic styling, vibrant visuals, and a heavy dose of downtown aptitude, the video is a assured celebration of dancehall tradition, previous and current.
One thing D’Lux, made up of New York creatives Zach Staggers and Eitan Noyze, is not any stranger to sonic innovation. With backgrounds in punk rock, hip-hop, and turntablism, the duo brings a singular perspective to Jamaican music, fusing foundational riddims with genre-bending creativity.
Their connection to Jamaican music runs deep. “BOM BOM” is their newest homage to the island’s musical legacy, a collaboration grounded in mutual respect and a shared love for rhythm and roots.
As dancehall continues to evolve, “BOM BOM” performs each on the sounds of the previous and the twists of the current sound. King Yellowman expenses to the frontline once more, and the long run sounds simply as thrilling because the previous.
